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Abacus | Squid Game, Hellbound: will South Korea displace Japan as the new cultural superpower in Asia?

  • The popularity of Korean Netflix dramas this year is increasing exposure to all aspects of the country’s culture, from films and music to make up and menus
  • When mass travel finally returns, will Seoul, Busan and Jeju be the next big “must visit” destinations, leaving Tokyo, Kyoto and Sapporo in the dust?

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Shoppers take pictures with cosplayers dressed in outfits from the Netflix series Squid Game in Kuala Lumpur. Photo: AFP
At the beginning of the pandemic, I vowed not to slide into couch-potato mode and crawl out of the television screen looking like Sadako from Ring after a nighttime Netflix binge.
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But I seemed to be in a minority keeping the streaming addiction at bay and soon it seemed everyone was recommending something I “must see” as streaming platforms multiplied and grew their subscriber bases. At this rate, Netflix alone will have close to a quarter of a billion subscribers in 2022.

However, I did not foresee how this streaming wave would be the thing to launch a new and potentially massive export business for South Korea: its culture. And judging by the hype, it seems that as the world gets a taste of Korea, everyone is craving more.
So, I decided to dip my toe in and watch the opening episode of Squid Game. It’s not something I expected to fancy, given that it was excessively violent, that people were dressing up in silly costumes mimicking the characters for Halloween – something else I cannot stand – and that I’d have to put up with subtitles. I ended up binge-watching it.

And if that wasn’t enough, I went back for more, glued this time to Hellbound, the latest chart-topper. I binged that too in one sitting.

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Full marks for the tight scripts, sharp acting, entertainment value and those incredible cliffhangers that American television pioneered. Even though it was rather more nasty and violent than the things I usually watch, it made sense in the context of the show.

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