Letters | Like it or not, Chinese ‘boys’ love’ fiction is popular in the West

Readers discuss the resilience of an officially frowned-upon genre, Hong Kong’s bilingual culture, and neon signs

Reading Time:3 minutes

Xiao Zhan (right) and Wang Yibo (left) in The Untamed. “Boys’ love” has given rise to many phenomenally successful Chinese internet novels that have been turned into wildly popular television drama series and spawned English translations. Photo: Tencent Penguin Pictures

Published: 11:30am, 26 Jul 2024

Feel strongly about these letters, or any other aspects of the news? Share your views by emailing us your Letter to the Editor at [email protected] or filling in this Google form. Submissions should not exceed 400 words, and must include your full name and address, plus a phone number for verification

The op-ed, “How to tell China’s story” (July 14), misses an important genre which has gained growing popularity in the West and is far more telling of life in contemporary China than decades-old titles like Life and Death in Shanghai or Wild Swans.

I am referring to the internet fiction genre of danmei. Danmei is a term which originated in Japan. This new genre has given rise to many phenomenally successful internet novels that have been turned into wildly popular Chinese television drama series and spawned English translations. An outstanding example is Grandmaster of Demonic Cultivation: Mo Dao Zu Shi, which was turned into a Chinese drama series, The Untamed, in 2019, translated into English and made available on Amazon. The Untamed catapulted two young actors, Xiao Zhan and Wang Yibo, to superstardom in China. Another highly successful publication is The Husky and His White Cat Shizun, the English version of which was on The New York Times’ bestselling list. The English version has such a wide following in the West that paperback editions are available.

Danmei novels celebrate “boys’ love” which is frowned on by the authorities. Immortality, a big-budget Chinese drama series produced by Tencent and based on The Husky, has been put on hold. But the genre continues to have a cult following in China and overseas, inspiring fan art, fan fiction and merchandise.

A lot of boys’ love internet novels were written by women for women. Why are they so popular with women in China? Their popularity reflects the frustration of contemporary Chinese women caught between the traditional, pragmatic, family-first concept of marriage and their yearnings for romance and true love as glorified in danmei fiction. Such fiction has become their channel for fantasy and escapism. Surprisingly the novels have also struck a chord with Western audiences.

While drama series based on such fiction have been banned, animated versions of some popular titles continue to be produced. The resilience of this genre, decried by the authorities as a lowbrow deviation from the officially sponsored “main melody” productions, reflects a subtle, ongoing tussle between the authorities and creative artists. Most of the time the authorities win, but the bans have not stopped private enterprise and creative genius from finding room for this genre to flourish. Call it the “one eye open, one eye shut” attitude of the authorities?