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More than 11,000 people throng Hong Kong’s M+ museum on opening day, venue closed to walk-ins over weekend

  • Some have been waiting years for the opening, while others are drawn in by a recent controversy over a work by dissident Chinese artist Ai Weiwei
  • A few visitors, however, complain about admission arrangements, and that facilities in and around the museum do not appear to be ready to handle crowds

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Hundreds turned up for the opening of the new M+ contemporary art museum on Friday. Photo: Felix Wong
After nearly 20 years of waiting, Hong Kong on Friday finally celebrated the opening of its first purpose-built visual art museum, the M+, with more than 11,000 visitors thronging the venue for a peek inside the multibillion-dollar complex in the heart of the new West Kowloon cultural hub.
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The overwhelming response prompted the museum to announce in the evening that it would not accept walk-in visitors over the weekend. Doors will open from 10am to 6pm only for those who had registered online.

“In anticipation of a large number of visitors, M+ strongly recommends all visitors to make reservations ahead of their visits,” a spokeswoman said.

Appointments for different entry times can be made on the museum’s website. As of 5pm on Friday, more than 11,000 people had visited the museum, with long waits anticipated for queues into its galleries.

While many visitors applauded the free entry, the facility’s aesthetic charms and the high quality of the exhibitions, a few complained that arrangements for admission were confusing, and that the facilities in and around the museum were not ready to handle the crowds.

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Some also voiced concerns that the space for artistic freedom was shrinking after Beijing’s imposition of the national security law last year, saying they wanted to come and see for themselves whether the exhibitions contained any challenging works.
Some visitors said they had come to see whether there was still space for politically sensitive works in Hong Kong. Photo: Felix Wong
Some visitors said they had come to see whether there was still space for politically sensitive works in Hong Kong. Photo: Felix Wong
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