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Hong Kong creative industry ‘shrouded in worries and fears’ amid chilling effect of ‘red lines’ under national security law

  • Creative community comes to grips with new censorship landscape and complaints from government supporters
  • Observers see shades of mainland’s Cultural Revolution as films are blocked, books are targeted

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Illustration: Perry Tse

Award-winning Hong Kong director Kiwi Chow Kwun-wai made headlines when his latest documentary was screened at the Cannes Film Festival last month, but the recognition prompted an investor to withdraw from his next film.

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The 2½-hour Revolution of Our Times takes its title from a slogan used widely during the anti-government protests of 2019 and which the authorities have since labelled a pro-independence rallying call.

The film records how frontline demonstrators operated on the ground during months of unrest that became increasingly violent.

A poster of Chow’s film which made headlines at the Cannes Film Festival. Source: Facebook
A poster of Chow’s film which made headlines at the Cannes Film Festival. Source: Facebook

Chow, 42, recalled that his investor was apologetic over pulling out, citing concerns over potential risks.

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With Hong Kong adjusting to life under the national security law imposed on the city in June last year, Chow, a father of two, admitted he was mentally prepared to be arrested.
He sold the film’s copyright and deleted all the clips in his possession to avoid legal repercussions.
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