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Was Mozart’s sister the real genius in the family? Siblings of famous – and infamous – artists revealed

  • Anne Brontë’s literary genius eclipsed by sisters Emily and Charlotte, while US actor Edwin Booth’s career tainted when brother John murdered Abraham Lincoln
  • Composer Fanny Mendelssohn was another unsung talent – like Maria Anna Mozart, whose life is focus of acclaimed play, ‘The Other Mozart’, in Hong Kong

In partnership withLeisure and Cultural Services Department
Reading Time:5 minutes
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The off-Broadway play, ‘The Other Mozart’ – based on facts, stories and lines taken directly from the Mozart family’s letters – stars award-winning actress and playwright Sylvia Milo as Maria Anna ‘Nannerl’ Mozart.

Society can be a cruel judge of artistic merit. History abounds with examples of artists, actors, musicians and writers dying in poverty only for the world to realise years later that their ideas were ahead of their time.

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Yet perhaps even more unjust is when the blame for an artist’s obscurity lies much closer to home: when his or her brilliance is overshadowed by an even more famous sibling.

Anne Brontë

Emily Brontë, who wrote Wuthering Heights, with its famously dark characters Cathy and Heathcliff, and Charlotte Brontë, who wrote Jane Eyre with its Byronic hero who looks past the heroine’s uncomely looks to the ardent heart within, are literary legends. But many may not be aware that there was a third Brontë sister, Anne.

A British postage stamp celebrating Emily Brontë and the characters from her novel, ‘Wuthering Heights’. Photo: Andy Lidstone
A British postage stamp celebrating Emily Brontë and the characters from her novel, ‘Wuthering Heights’. Photo: Andy Lidstone

This relatively unknown sister wrote The Tenant of Wildfell Hall and Agnes Grey, both considered as masterpieces of Victorian literature by a growing number of literary scholars. But Anne’s rise to fame was, perhaps, doomed from the start, because of the near-simultaneous publication of Jane Eyre, Wuthering Heights and Agnes Grey.

Wuthering Heights took up two volumes of the standard triple-decker format of the time, while Anne’s tale made up the third. Emily’s novel, with its dark depictions of mental and physical cruelty, polarised opinions and grabbed all the attention. Agnes Grey, a tale of quiet suffering, endurance and realism, earned little of the glory.

A stone plaque commemorates Charlotte Brontë in Haworth Village, in Yorkshire, England. Photo: Daniel Heighton
A stone plaque commemorates Charlotte Brontë in Haworth Village, in Yorkshire, England. Photo: Daniel Heighton

Anne’s The Tenant of Wildfell Hall, published in 1848, was similarly unromanticised. The novel charts in unsparing, compelling detail the effects of a husband’s alcoholism on a woman and her son. While Anne refused to glamorise oppressive men, Charlotte and Emily indulged in the brooding, abusive Byronic hero. Anne's heroes are curates and farmers – quiet, supportive men who look after their mothers. They are not the sort of personalities to cause a scandal or attract literary fame.

Fanny Mendelssohn

Overshadowed in life and death by her brother Felix, Fanny Mendelssohn is now regarded as one of the 19th century’s most brilliant composers.

Born in 1805, she was taught to play the piano by her mother, who in turn had been taught by a student of J.S. Bach. By the age of 13, she is said to have memorised all 48 preludes from Bach’s The Well-Tempered Clavier.

A German stamp dedicated to Fanny Hensel (née Fanny Mendelssohn) in 1989. Photo: Shutterstock
A German stamp dedicated to Fanny Hensel (née Fanny Mendelssohn) in 1989. Photo: Shutterstock

In 1820, both Fanny and Felix joined a music academy in Berlin called the Sing-Akademie, which was directed by the composer Carl Friedrich Zelter. Young Fanny impressed Zelter so much that he wrote to the author Goethe saying: “This child really is something special.”

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Felix himself readily admitted that his sister played the piano better than he did, and Fanny remained as his chief musical adviser until he left home.

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