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From KAWS to Takashi Murakami: why collectors are deadly serious about designer art toys

Clean Slate by KAWS, displayed at Harbour City in Tsim Sha Tsui, Hong Kong, during a preview of the KAWS: Clean Slate exhibition in September 2014.
Clean Slate by KAWS, displayed at Harbour City in Tsim Sha Tsui, Hong Kong, during a preview of the KAWS: Clean Slate exhibition in September 2014.
Art

  • Whether KAWS, Yoshimoto Nara, Takashi Murakami or Hong Kong’s own Michael Lau, artists are killing it at auctions worldwide as demand soars for such designer toys

Covetable “toys” from artists such as KAWS (artist Brian Donnelly), Yoshimoto Nara and Takashi Murakami continue to command tens of thousands of dollars at auction. In May, Nara’s The Little Pilgrims (Night Walking), a set of five fibreglass, cotton cloth and acrylic figures, sold for HK$10.95 million. A month later, the kaleidoscopic Panda by Murakami went under the hammer for over £1.2 million. And in 2018, KAWS’ Clean Slate, a grey parental figure referencing Mickey Mouse and carrying two smaller figures, garnered US$1.65 million.

Works by Takashi Murakami displayed at Sotheby's Hong Kong Autumn Sales 2013, at The Hong Kong Convention and Exhibition Centre.
Works by Takashi Murakami displayed at Sotheby's Hong Kong Autumn Sales 2013, at The Hong Kong Convention and Exhibition Centre.

Of late, the line between art and toys has become increasingly blurred. Creations by the likes of KAWS and Nara may display characteristics attributed to toys, from the material used to their playfulness, but they are also considered works of art. KAWS is known for his graphic, cartoon-like depictions, while Nara’s work often features characters that appear simultaneously sweet and sinister.

Usually one-off pieces or belonging to a limited edition collection, many figures are displayed in public spaces, much like works by celebrated sculptors such as Antony Gormley or Marc Quinn.

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As 2019 continues to ring in million-dollar sales at auction of such art toys, the pieces most coveted by collectors are those that provide a succinct commentary on contemporary culture while bearing the distinct signature of their creators.

Artist Brian Donnelly, aka KAWS. Photo by Nils Mueller
Artist Brian Donnelly, aka KAWS. Photo by Nils Mueller

Despite the demand and rising prices, some art toys have a lower price point, which makes them appealing to amateur collectors. A quick search on Artsy, an online platform for collecting and discovering art, reveals that prices of a KAWS figure range from about US$450 (small, unlimited edition) to US$195,000 for Companion 4ft (Grey), an achromatic figure again modelled on Mickey Mouse. Meanwhile, buyers can snag Nara’s Pup Cup – a sculpture of a pup in a teacup – for a mere US$900.

Takashi Murakami’s MURAKAMI VS MURAKAMI exhibition at Tai Kwun Contemporary in Central. Photo: Jonathan Wong
Takashi Murakami’s MURAKAMI VS MURAKAMI exhibition at Tai Kwun Contemporary in Central. Photo: Jonathan Wong

Another reason art toys are doing so well at auction is that collectors form an emotional attachment to them. KAWS and Nara are known for producing the same figure in many variations, so a toy aficionado who already has one figure from a particular series might be tempted to get their hands on the rest.

The rising popularity of art toys can also be attributed to the fact that those attuned to pop culture understand the veiled references immortalised in such pieces, while also being in a position to own them.