Inside Hong Kong’s sudden hunger for art and culture in 2023: from record auction sales to TeamLab’s first installation in the city and those lovable giant rubber ducks
- The arrival of Florentijn Hofman’s Insta-spiring Double Ducks in Victoria Harbour ignited Hongkongers’ lust for culture – and the TeamLab Future Park landing at Kowloon Bay’s MegaBox is turning up the heat
- There’s money to be made, too – Sotheby’s Hong Kong sold a record US$1.1 billion of art and luxury in 2022, and Art Basel enjoyed stronger-than-expected sales on its full physical return
After a long and drawn-out pandemic period, talk of Hong Kong’s resurgence has ballooned into a full-fledged choral celebration, with upbeat voices echoing across several of the city’s business sectors.
And they could not come soon enough: the city’s economy contracted by 6.1 per cent in 2020, according to a report by the Hong Kong Monetary Authority.
But better forecasts are finally on the horizon, and the International Monetary Foundation predicts GDP growth of up to 3. 5 per cent for 2023-24. In few industries has this bounce back been more evident than in the art world.
In 2022, Sotheby’s Hong Kong sold US$1.1 billion of art and luxury across all categories – matching a surprise pandemic-era record set a year earlier.
“So that gives you a pretty clear record of the market overall,” said Alex Branczik, the auction house’s senior director and chairman of modern and contemporary art for Asia. “Despite Covid – and maybe even in some ways because of the pandemic – 2022 was a record year for the company Given that the first half of that year the borders were closed, and the first quarter in particular was very difficult, I think it shows a real resilience in our market.”
This year marks Sotheby’s 50th in operation in Asia, and with it a pivot to a more global landscape.
“If you look back 10 years to 2013 at the make-up of our 40th anniversary sale, there wasn’t a single Western artist. It was all Asian modern and Asian contemporary – both Chinese modern and the big name Chinese contemporary artists of the 20th century,” added Branczik. “We sold Zeng Fanzhi’s Last Supper for over US$20 million.”
But there has been a shift in the last decade, he continued, pointing towards an increasing number of Asian collectors following more global trends.