Then & Now | How Sikh doormen became a symbol of old Hong Kong, welcoming visitors to banks, hotels and homes
- The liveried Sikh doorman, a once-ubiquitous feature of high-end establishments and affluent homes in Hong Kong, has all but disappeared
![Kam Singh, a doorman at the Excelsior Hotel in Causeway Bay, in February 2019. Photo: SCMP](https://cdn.i-scmp.com/sites/default/files/styles/1020x680/public/d8/images/canvas/2024/08/20/0bcefa6a-2dfb-47ab-9689-38d2c277adab_065a8de7.jpg?itok=3tnPCnt5&v=1724128983)
Such jobs kept them on their feet all day, rain or shine, and usually well into the night, but were otherwise physically undemanding.
![Sikh doormen at the entrance to The China City nightclub in Tsim Sha Tsui in 1993. Photo: SCMP Sikh doormen at the entrance to The China City nightclub in Tsim Sha Tsui in 1993. Photo: SCMP](https://img.i-scmp.com/cdn-cgi/image/fit=contain,width=1024,format=auto/sites/default/files/d8/images/canvas/2024/08/20/9aef34bf-6bff-4b4c-b031-c7e6887ec393_400a707f.jpg)
Jackets were generally some fetching red tint – anything from lolly pink to deep burgundy – along with swags of gold braid, frogged buttons, lavish epaulettes, silk turbans and astrakhan collars.
![In 1995, a policeman stands beside a Sikh security guard outside the Sham Shui Po branch of Kwong On Bank, where a robbery had recently taken place. Photo: SCMP In 1995, a policeman stands beside a Sikh security guard outside the Sham Shui Po branch of Kwong On Bank, where a robbery had recently taken place. Photo: SCMP](https://img.i-scmp.com/cdn-cgi/image/fit=contain,width=1024,format=auto/sites/default/files/d8/images/canvas/2024/08/20/94f76430-6142-49e8-b98c-012bfa8e804e_ca4fcb02.jpg)
At Lane Crawford’s Central store, the pink-clad Sikh doorman remains a much-remembered childhood spectacle for many older Hong Kong Chinese. One friend, now in his fifties, particularly recalls an instance when, as a little boy, he stood astounded as perennially pink-clad socialite Brenda Chau alighted from her pink Rolls-Royce, the car door deferentially opened by her pink-clad chauffeur, and was then bowed and scraped inside the premises by the establishment’s pink-clad Sikh doorman, to whom she was clearly a familiar figure. In my friend’s memory, Chau carried a Henry Steiner-designed Lane Crawford shopping bag, also a fetching shade of pink. The dramatically overstated, sticky-cloying “elegance” and “pinkness” of the scene has never been forgotten.
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