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The M+ issue

This Post Magazine series marks the opening of M+ in November 2021. The museum of global visual culture has been compared to the MoMA in New York and Centre Pompidou in Paris, with a transnational focus on objects and histories that are relevant to Asia. The West Kowloon landmark is also seen as a barometer of artistic and curatorial freedom in Hong Kong following the introduction of a national security law.

Updated: 05 Jan, 2022
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[1]

For the world, and for Hong Kong too? M+ museum opens its doors

Hong Kong’s museum of visual culture has opened, after much delay and controversy, in a city much changed since its conception. Whether it can fulfil its global ambitions and satisfy Beijing remains to be seen.

12 Nov, 2021
A night view of the M+ museum and the West Kowloon arts hub in Hong Kong. The museum opened four years late and in a very different political and cultural climate from the one at the time the district was conceived in 1996. Photo: Martin Chan
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10 highlights of the opening shows at M+ museum in Hong Kong

Ai Weiwei’s whitewashed Neolithic pots that ask a question about history, Antony Gormley’s field of clay figures among the pick of exhibits in M+ museum shows.

12 Nov, 2021
Asian Field (2003), by Antony Gormley. Photo: Antony Gormley
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Why a Tokyo sushi bar is a star exhibit at M+ museum in Hong Kong

Designed in the 1980s by legendary Japanese architect Shiro Kuramata, the Kiyotomo sushi bar, dismantled and transported from Tokyo, is among the most unexpected exhibits at new Hong Kong museum.

10 Nov, 2021
Kiyotomo, a former Tokyo sushi bar, has been rebuilt on the second floor of the M+ Museum in Hong Kong as a testament to the subtle minimalism of its designer, Japanese architect Shiro Kuramata. Photo: M+/Lok Cheng
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Destinations Known | The M+ museum finally opens – but will it boost cultural tourism?

As an addition to Hong Kong’s tourism portfolio, M+ will prob­ably be a hit – but given travel restrictions and national security law concerns, it may not put the city on the cultural tourism map as firmly as once hoped.

10 Nov, 2021
As an addition to Hong Kong’s tourism portfolio, M+ will prob­ably be a hit – but it may not put the city on the cultural tourism map as firmly as once hoped. Photo: AFP
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Hong Kong dancers explore home and identity in Home Sweat Home

Hong Kong has seen a reported 90,000 people leave in the past year, and the dance production looks at the issues surrounding people’s decisions to stay or go.

11 Nov, 2021
Hong Kong dancers explore home and identity in Home Sweat Home. CCDC’s Shirley Lok rehearses for the production. Photo: Lester Leung
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When West Kowloon Cultural District plans were launched, and what followed

The idea for the West Kowloon Cultural District was revealed in 1999. Norman Foster won a design competition for the arts hub, but his plan was scrapped in 2006 as too expensive.

12 Nov, 2021
British architect Norman Foster stands next to a model of his winning proposal for the West Kowloon cultural and entertainment complex in 2002. His plan was scrapped in 2006 on cost grounds, but his firm won the tender to implement a revised blueprint in 2011. Photo: SCMP
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Review | New thinking about the Chinese contemporary art at M+ collected by Uli Sigg

Comprehensive, unwieldy and chaotic, the catalogue of the vast Sigg Collection details the works held at M+ while trying to avoid presenting them as a canon of contemporary Chinese art.

14 Nov, 2021
Yin Xiuzhen’s 2001 work “Portable City: Beijing” from the Uli Sigg collection of Chinese contemporary art catalogued in a 500-page book edited by Pi Li. Photo: M+ Sigg Collection, Hong Kong/Yin Xiuzhen.
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‘My camera became an extension of my hand’: John Fung on his photography

The Hong Kong photographer tells Kate Whitehead about growing up in Africa, hard times at school, finding his passion for photography and how living in the moment informs his art.

13 Nov, 2021
Hong Kong photographer John Fung at the IFC in Central, Hong Kong. He says living in the present is what informs his art. Photo: Antony Dickson
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Then & Now | How museums arose in Asia and the man who lent them impetus in Hong Kong

Private museums, their curations reflecting the interests of their patrons, blazed a trail across 19th century Asia for the publicly funded ones that followed – like the one at Hong Kong’s first City Hall, opened in 1869.

13 Nov, 2021
Arnaldo de Oliveira Sales, long-time chairman of the Urban Council, was a key figure in the growth of museums in post-war Hong Kong.
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Cocktails in a library, Munch’s The Scream x 3: cultural tourism in Oslo

Norway is known for its fjords and mountains, but its capital hasn’t stood out - until now: Oslo is forging a new identity as a destination for cultural tourists.

14 Nov, 2021
People pass by the painting “The Scream” by Norwegian artist Edvard Munch in the new Munch Museum in Oslo. Three versions of the  famous work are on show. Photo: Terje Pedersen/NTB/AFP
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From Louis Armstrong’s trumpet to the priciest Rolex, world’s new museums

Memorabilia of musical and movie stars grace new museums in Los Angeles and Nashville, treasures of ancient Egypt have a new home and with M+ opening, Asia has three new art mega-museums.

12 Nov, 2021
A trumpet belonging to Louis Armstrong is displayed at the National Museum of African American Music in Nashville. Photo: AP
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Recipes by Ai Weiwei and other artists keep museum going during Covid-19

When the Mori Art Museum in Tokyo closed during the pandemic, a digital programme was created to connect artists with viewers – they contributed recipes for a cookbook.

15 Nov, 2021
Ai Weiwei’s contribution from Portugal to the Mori Art Museum cookbook - a photograph of ingredients - was more a concept than a recipe, but his fellow artists were more concrete with theirs.
[15]

Profile | Korean chef on his ‘very simple’ food and the joy of being in Hong Kong

Korean chef Sung Anh, who is opening a branch of his two-Michelin-star Mosu Seoul restaurant at M+ museum, tells Bernice Chan why simple dishes are the hardest to make, and about the importance of seaweed.

16 Nov, 2021
Gim cup, sweet shrimp, potato, from Mosu at M+. Photo: Mosu Hong Kong