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Life.Culture.Discovery.

‘And they dubbed me’: Hong Kong photo artist Basil Pao on filming The Last Emperor, travelling with Monty Python’s Michael Palin, and a new retrospective of his career

  • The hard-partying septuagenarian opens up on his long photo-art career that has seen him travel the world and rub shoulders with film and TV luminaries

Reading Time:10 minutes
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Photographer Basil Pao on a film shoot in Brazil with Michael Palin in 2013. Photo: Basil Pao

The day before this interview, Basil Pao Ho-yun had made a night of it at the Foreign Correspondents’ Club in Hong Kong.

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As a result, when we meet at the crowded Cheung Chau ferry pier – the photographer instantly identifiable by his trademark panama hat, a signifier Michael Palin also found useful when they travelled the globe for his BBC television series – Pao is feeling, as he puts it, “delicate”.

He suggests a nearby outdoor restaurant, where he’s a regular, to see how things go.

Over four enjoyable hours, several glasses of white wine are consumed, although your correspondent sticks to tea. (“I know – incredible that somebody I’m with could not be a drinker,” he says to the waitress.)

Before the first sip, he remarks, “I turn into a beast when I have too much.” Had he been beastly the previous night? “Oh, very abusive, very nasty.”

Warrior Parking, which is included in Pao’s new book, Carnival of Dreams. Photo: Carnival of Dreams / Basil Pao
Warrior Parking, which is included in Pao’s new book, Carnival of Dreams. Photo: Carnival of Dreams / Basil Pao

Indelicate swear words certainly multiply as he perks up, but there are no signs of brutishness and when I ask around later, people make approving comments about his charm as well as his talent so, presumably, that’s one of his jokes.

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