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New York-based Australian fashion designer Lisa Qu picks local over Made in China

  • ‘The issue with Made in China is not necessarily in the quality but in the quality control,’ she says
  • The 22-year-old Parsons graduate says sustainability for her is timeless designs made from high-quality fabrics

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Why you can trust SCMP
New York-based Australian fashion designer Lisa Qu.

Making Forbes’ 2020 30 Under 30 in the Art and Style section is a remarkable achievement for a designer who has been in busi­ness barely a year. How did you come to Forbes’ attention? “A few months ago, I received an email from a Forbes journalist informing me that I had been nominated but I didn’t find out who nominated me until later on. It turned out to be two previous Forbes Under 30s who I had dressed for a campaign in 2018.

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“We did a video series together [called #HeresYourQU] about empower­ing women to conquer their goals by offering career advice, motivational stories and tips on dressing for success.”

Who is your target customer? “The Lisa Qu woman is the woman I aspired to be when I grew up. She is power­­ful, feminine and unapologetically beautiful. Female empowerment is a big part of my brand’s DNA and I design my clothes to highlight the best of being a woman. My customers are women aged 25 to 50 and working in careers such as medicine, law, tech and finance. They range from analysts in graduate positions to C-suite execs at large corporations.”

Why start your business in New York? “When I launched my business, in 2018, I was only 20 and in my third year of college [at Parsons School of Design], in New York. I had access to factories locally and I could take a subway to my factory after and in between classes. I’m neurotic when it comes to the quality of my product and needed to personally oversee everything from development to production.”

A look designed by Qu.
A look designed by Qu.
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Several brands have said Made in China is now as good as Made in Italy or France. Do you agree? “From my experience, the samples I had made in China weren’t of the calibre I wanted for my products even after several iterations. The factories were unwilling to produce my designs using my method of origami construction, which is critical in creating the desired features and structures.

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