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Life.Culture.Discovery.

How the Instagrammable East meets West home of Macau egg tart pioneers oozes charm and caprice

  • Having taken over the Coloane red house from her late brother, Eileen Stow of Macau’s Lord Stow’s Bakery set about updating the interiors to make them her own
  • Bold colours mix with pastels as easily as antiques share space with the contemporary

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After having shelves installed across an entire wall in the living area upstairs, Eileen Stow opted for orange to pop from a central panel in the shelving. Styling and photography: Cassia Schutt

There is much to unpack in Eileen Stow’s colourful residence in Coloane village, Macau.

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Comprising two units connected by an external staircase, it is a stroll away from the original outlet of Lord Stow’s Bakery that drew her from Britain to the then Portuguese enclave in China 28 years ago. She made the move to help run the expanding business founded by her brother, Andrew Stow, whose experiments with egg tarts yielded a sweet sensation.

The siblings’ histories are also intertwined in that 1,400 sq ft (130 square metre), one-bedroom house, which had once been her brother’s rental home. Eileen moved in after Andrew’s unexpected death, from an asthma attack, in 2006. She completed the vivid paint job he had begun on its exterior, and gradually updated its interiors to make them her own. “I set a budget each year to improve it,” she says, remembering the wood flooring installed upstairs, rustic tiles on the ground floor, and a pergola on the roof.

Her efforts have not gone unnoticed. A favourite of Instagramers, the facade of the Coloane red house has served as an arresting backdrop for innumerable newlyweds and tourists. But unfortunately, the building’s draw has also fed the imagination of her landlord.

Last September, just weeks after Stow had given the interior walls of the ground floor another new coat of white paint, she received notice to vacate the property. “I’ve made the house look so beautiful that it’s got a great deal of attention,” she says in a follow-up interview many moons after our initial conversation. “And now they want to turn it into a cultural centre.”

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The building has come a long way since Andrew started working on what was originally, she says, “a very unattractive old warehouse”. At the back of his mind was Helga’s Folly in Sri Lanka, a 1930s crimson home (now hotel) described variously in online reviews as a “palace of whimsy” and an “acid trip” full of art and memories.

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