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Gay Games Hong Kong co-chair on the ancient Chinese text that helped her embrace being a lesbian

  • Lisa Lam, co-chair of the Gay Games Hong Kong, read the Zhuangzi at school at a time when she began to realise she had intense feelings for women
  • Among the many things the text gave her was some space in her heart ‘to look in peacefully and ignore what was going on outside’

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Lisa Lam, co-chair of the Gay Games Hong Kong, says she still returns to the Zhuangzi, an ancient Chinese text, from time to time, especially when she feels stuck or unhappy. Photo: Lisa Lam Mun-wai

A foundational work of Chinese philosophy and literature, the Zhuangzi, traditionally attributed to the philosopher of the same name from the late Warring States Period (475-221BC), is a series of stories, anecdotes and parables that advocate independent thinking and freedom from societal conventions.

Lisa Lam Mun-wai, co-chair of the Gay Games Hong Kong – which will start on November 3, the first time the event has visited Asia – tells Richard Lord how it changed her life.

The first time I read it was as part of the school curriculum, in grade eight or nine. It guided me mentally and emotionally through challenges. This was around the time of my coming of age as a teenager, when I realised I was a little bit different from my friends.

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I had these intense feelings for women – I had no words for it, and I felt quite lost. This was in the early 80s, and all you saw around you was that lesbians would have a miserable life or were lunatics or serial killers.

Zhuangzi was an influential Chinese philosopher who lived around the fourth century AD during China’s Warring States Period.
Zhuangzi was an influential Chinese philosopher who lived around the fourth century AD during China’s Warring States Period.

Among the many things Zhuangzi gave me was some space in my heart to look in peacefully and ignore what was going on outside.

He says that it’s not wise to give labels to things, and nothing is entirely either good or bad. We humans are limited by our perspective: something can be useful to me and completely useless to you.

Zhuangzi was very comforting to me at that time because the outside world was so nasty and unaccepting. I realised that it didn’t mean I was a lonely person who had to live a miserable life. It really gave me a chance to look inside, and space to breathe.

The first story I read from it was the butcher (Cook Ding, whose movements are so skilful that, as he explains while butchering an ox, he has not had to sharpen his knife for 19 years). As I grew older, I started to understand the symbolism of that. It’s in a chapter about how to nurture life.

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