Review | Haphazard and with a title that misleads, The Tiger Mom’s Tale, a novel about a mixed-race American, appears to be written for Hollywood
- The story of Alexa, born in America to a white mother and a Taiwanese father, The Tiger Mom’s Tale is poorly constructed and sustained by facile devices
- Lyn Liao Butler’s writing lacks the depth or skill to make the novel’s central scenario anything more than sensational
The Tiger Mom’s Tale by Lyn Liao Butler, pub. Berkley
The title of this novel promises a focus on the figure of the overbearing Chinese mother popularised by Amy Chua’s Battle Hymn of the Tiger Mother (2011). Indeed, the title sets up a scenario in which we might hear from this woman, perhaps to learn what motivates such single-minded pressure to make her children successful. But the novel has nothing to do with this idea, since only one character might be called a tiger mother and the central story isn’t even hers.
It would be enough if that misleading feature were the book’s only shortcoming, but it is clear that author Lyn Liao Butler has chosen melodrama over craft to make her story appealing.
The Tiger Mom’s Tale, at its heart, is the story of a young American woman, Alexa (Lexa) Thomas, who is born to a white mother and a Taiwanese father. Predictably, she feels suspended between two worlds, especially since her birth is the result of a brief amorous encounter her mother has in Thailand while on a trip with friends. Once Lexa is born, her mother informs the father, and Lexa is allowed to visit him when she is older to forge a relationship with her Taiwanese side. It is a needful reconnection with her Asian heritage since she grows up with her mother’s white husband, Greg, and her half-sister, Madison.
During her first two visits to Taiwan she meets her younger sister, Hsu-Ling. But the last trip she makes, at 15, is disastrous: inexplicably, her Taiwanese stepmother, Pin-Yen, does something so cruel that Lexa vows never to visit again. It takes more than half the novel before we learn exactly what happened, but that is a key preoccupation of the novel’s laboured plot.
Butler adds other details that seem somewhat haphazardly constructed. For example, at the beginning of the novel Lexa learns her father has died, and this detail allows Butler to construct a narrative in which tension centres on whether she will travel back to Taiwan for the funeral. She has not spoken to any members of her Taiwanese family for more than 20 years, and does not want to return. But go back she must – if only so we can find out what happened to her when she was a teenager.
