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Review | Memoir of 15 years at Studio Ghibli, Japanese animation studio, is big on detail but lacking in the magic of the movies

  • Sharing a House with the Never-Ending Man, by Steve Alpert, tells of his time at the Japanese animation studio
  • Part business memoir and part confessional about life as a foreigner in Japan, the American’s book fails to fully deliver on either

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A still from Studio Ghibli film Princess Mononoke. Photo: Studio Ghibli

Sharing a House with the Never-Ending Man: 15 Years at Studio Ghibli by Steve Alpert, Stone Bridge Press, 2/5 stars

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If you had visited the newly opened Ghibli Museum, in suburban Tokyo, in 2001, you might have been lucky to see artist and animator Hayao Miyazaki at work.

Once a week the influential co-founder of Japanese animation giant Studio Ghibli would sit and draw at a modest wooden desk, to show fans how his films were made. Massive lines and crowds quickly formed to see Miyazaki; museum staff struggled to maintain order.

His appearances were eventually scrapped, but the desk remains at the museum today, cluttered with palettes of gouache daubs and half-etched drafts, as if the artist had just stepped away and would be back any second.

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Such is the enigmatic aura of Miyazaki and his many creations under Studio Ghibli, the once-humble Japanese animation company that exploded onto the international stage with Nausicaä of the Valley of the Wind (1984), My Neighbour Totoro (1988), Princess Mononoke (1997) and the Oscar-winning Spirited Away (2001).

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