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Life.Culture.Discovery.

Performance art festival in Hong Kong aims to expose a wider audience to a unique and powerful art form

  • The three-day Per.Platform festival at the Eaton HK hotel in Jordan starts July 22 and will feature 18 mostly women and/or queer performers, 16 from Hong Kong
  • Pieces last from 30 minutes to five hours and focus on the idea of fluidity and impermanence with regards to space, time, body, gender roles and sexual identity

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Artist Yeung Siu-fong performs “I’m Fine” (2021). Yeung is one of 18 artists participating in the Per.Platform performance art festival at the Eaton HK hotel from July 22 to 24. Photo: Gustav Lindgren

Performance artists often create site-specific works that are complete only with the engagement of a live audience. This makes their creations necessarily impermanent and, let’s face it, difficult to experience because you have to be in the right place at the right time.

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That’s one of the reasons for Per.Platform, a performance art festival that launched in 2021 and is now preparing for its latest edition at the Eaton HK hotel, which opens on Friday.

The line-up is a refreshing mixture of established names and new talent being mentored as part of the festival.

The performers, most of whom are women and/or queer, consist of 16 Hong Kong artists and two from Japan. Pieces last from 30 minutes to five hours and focus on the notion of fluidity and impermanence with regards to space, time, body, gender roles and sexual identity.

Artist Jing Pang, seen here performing “Back and Forth” (2021), will perform at the Per.Platform festival. Photo: Hannah Wong Choi-yi
Artist Jing Pang, seen here performing “Back and Forth” (2021), will perform at the Per.Platform festival. Photo: Hannah Wong Choi-yi

Founded by Juliana Chan, gallery manager of 1a Space, and performance artist Florence Lam, the festival aims to expose a wider audience to an art form that, at its best, allows complete strangers to share a common experience that provides them with powerful new perspectives.

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The choice of artists aligns with Eaton HK’s belief in inclusion and diversity, says its director of culture, Joseph Chen King-yuen, who is also in charge of the hotel’s Tomorrow Maybe art space, which will host this year’s festival.

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