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My Hong Kong | Disney’s Turning Red left me empathising with Mum and comparing Mei to Hong Kong – like the teen, the city is caught between colliding worlds

  • While Disney’s Turning Red offers a long overdue exploration of puberty, as a mum there were times I empathised with the main character’s mother, Ming
  • Mei is caught between honouring her family and herself and, the way I see it, the city of Hong Kong feels a similar tug between the values of East and West

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Like Mei on Turning Red, Hong Kong faces a conflict of interests in preserving old values and embracing change.

The other day I decided to give Turning Red a watch, given the buzz that the film has generated in the Asian community.

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This movie is the proud outcome of the first all-female leadership team under the Disney brand, and may this be the first film of many that feature more “taboo” topics such as gender and sexuality in animated family films.

I must say that I absolutely loved the movie – but, underneath the cutesy Pixar animation and heart-warming narrative, it was one that left me with mixed emotions.

On the one hand, I am overjoyed we are finally seeing a mainstream film openly explore the little discussed topic of puberty. Coming-of-age films have tended to skirt this topic or avoid it altogether, and it was about time a big-name studio gave this topic some airtime (even if it’s represented in the form of a red panda).

Turning Red is the work of the first-ever all-female leadership team under Disney.
Turning Red is the work of the first-ever all-female leadership team under Disney.

On the other hand, I watched this film through the eyes of a mother and there were certainly moments when I empathised with the main character’s mother, Ming, who is voiced by Canadian-American actress Sandra Oh.

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