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Review | Venice 2024 movie review – Joker: Folie à Deux puts Joaquin Phoenix, Lady Gaga in musical

Lady Gaga plays music teacher and more to Phoenix’s Joker behind bars in a highly original sequel that’s menacing and beautifully styled

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Lady Gaga (left) and Joacquin Phoenix in a still from Joker: Folie à Deux. Photo: Niko Tavernise/Warner Bros. Entertainment Inc.

4/5 stars

Joaquin Phoenix returns to the role that won him an Oscar and gave him the biggest hit of his career in Joker: Folie à Deux.

Playing in competition at the Venice Film Festival, where 2019’s Joker won the prestigious Golden Lion, this sequel upends the comic-book movie even more than its predecessor.
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Director Todd Phillips takes the brave decision to turn this into a Hollywood musical. Yes, you read that right: Phoenix’s Arthur Fleck sings old standards, the clown turning crooner.

Joker: Folie À Deux | Official Trailer

The film begins with an old-school, Warner Brothers-style cartoon, loosely replaying events as Arthur’s Joker persona shot dead TV interviewer Murray Franklin live on air.

Now incarcerated in Arkham Asylum, this deranged loner is awaiting to see if he will stand trial. Near-silent in the beginning, Arthur only brightens when a prison guard (Brendan Gleeson) admits him to a music class.

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“We use music to make us whole,” says the teacher. And it’s here where he meets his soulmate, Lee Quinzel (Lady Gaga).

An arsonist whose mother had her committed to Arkham, Quinzel is familiar to all DC Comics fans as Harley Quinn, the character known as the Joker’s paramour.

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