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Review | All the Long Nights movie review: pensive Japanese tale by Small, Slow But Steady director

  • Sho Miyake’s drama depicts the bond that grows between lonely souls Misa, who has extreme PMS, and Takatoshi, who has panic attacks

Reading Time:2 minutes
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Mone Kamishiraishi (front) and Hokuto Matsumura in a still from All the Long Nights (category I, Japanese), directed by Sho Miyake.

3/5 stars

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The fate of the universe does not always need to hang in the balance to create compelling drama. Sometimes, something as simple as garnering a better understanding of a colleague can prove sufficient, as is the case in Sho Miyake’s new drama.

Adapted from Maiko Seo’s novel of the same name, All the Long Nights follows two young people whose prospects in the adult world have been cut short by disorders that affect their everyday experience.

Misa (Mone Kamishiraishi) suffers from extreme premenstrual syndrome, which triggers mood swings so violent that she was forced to quit her previous office job.

【電影預告】《長夜盡頭的微光》All the Long Nights | 6月27日 每道微小 | 三宅唱 x 松村北斗 x 上白石萌音

Meanwhile, Takatoshi (Hokuto Matsumura) is hobbled by debilitating panic attacks, which have had a similarly negative impact on his professional aspirations.

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These two lonely souls meet when Misa moves back home to be close to her ailing mother (Ryo), and gets an administrative job at a small company that distributes science equipment for children.

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