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Richard James Havis

Gordon Liu Chia-hui, born Sin Kam-hei, is one of Hong Kong’s most accomplished – and most loved – martial arts stars.
Liu achieved fame as the baldheaded monk San Te in 1978’s classic The 36th Chamber of Shaolin, and amplified his success with roles in films such as the idiosyncratic Dirty Ho, the cheery Heroes of the East, and the tragedy The Eight Diagram Pole Fighter.
Liu had a stroke in 2011 and suffered partial right side paralysis. He has been recuperating in a nursing home ever since.
Here are a few things to know about the living legend that is Gordon Liu.
1 His parents did not want him to learn kung fu
Liu developed an interest in learning kung fu as a child after seeing martial arts films at the cinema with his uncle. But his parents were dead set against him studying martial arts, as they thought it would lead to him getting into fights.

When he was 10, Liu was so determined to learn kung fu that he started sneaking out in the evenings to attend the martial arts school of Lau Cham – whose martial arts heritage could be traced back to Wong Fei-hung himself – which was near the family home.
“When I was a kid, I was really naughty and would try to avoid going to school,” Liu told Kung Fu Magazine.
“Then, when I saw Lau Cham, I knew kung fu was something I had to learn, and that kung fu would be an important part of my life. So now I had an excuse to skip school to train in martial arts.”
Liu chose to study the “southern fist” style of Hung Gar, as it was hard and he wanted to challenge himself, he said.
2 He joined the family of Lau Kar-leung

Liu’s sifu (martial arts master) Lau Cham was the father of Lau Kar-leung, one of the legends of Hong Kong martial arts choreography. Gordon Liu was Lau Cham’s youngest student, and his wife doted on him and made him her godson.
3 He worked for Chang Cheh in his early years
Lau Kar-leung had made his name as a martial arts choreographer for the influential director Chang Cheh in the 1960s.
When Chang moved to Taiwan to set up an unofficial Shaw Brothers production subsidiary in 1974, Lau went with him and suggested that Liu should join them as an actor.
Lau had previously got Liu some work as an extra, as well a starring role in Breakout from Oppression in 1973, but Liu was not seriously considering an acting career. At that time, he had an office job in an accountancy firm.
“Lau wanted me to take two months off to make a film. I was only 17 or 18 years old, so I thought why not?” he told the Post. Liu ended up signing a contract with Chang.

But Lau had an acrimonious split with Chang, and moved back to Hong Kong to begin directing films for Shaw Brothers himself, leaving Liu behind in Taiwan.
Chang did not rate Liu’s acting skills highly. “It was the hardest time because I was on my own. I didn’t have many acting opportunities. I mainly fought on the set. If I had one line, I practised reading that line throughout the whole day,” Liu told the Post.
Lau asked Liu to come back to Hong Kong to appear in Shaw’s Challenge of the Masters as Wong Fei-hung, the most famous of all the exponents of southern-style Chinese martial arts, and he later ended up signing a contract with the company.
4 He became famous as a bald monk but preferred long hair
Growing up in the 1960s and 70s, Liu kept his hair long, and apparently liked it that way. He had rejected suggestions that he join the Royal Hong Kong Police because the job would entail a haircut.

“After high school, my brother-in-law was a chief police inspector and was trying to push me into doing the same thing,” he told Kung Fu Magazine. “But what stopped me? There was no way I was going to cut my long flowing hair.”
Liu agreed to shave his head to play the monk San Te in Lau’s career-making The 36th Chamber of Shaolin. The film made him famous, and audiences identified him with the character, so he decided to stay bald.
“At the time, to stay handsome, few actors shaved their heads,” he said. “I wasn’t handsome, and after I shaved my head, people thought I was special. When I was in Japan, people said I looked like Yul Brynner and I was happy about that.”
5 He is a committed martial artist
Liu has always been serious about the practice of martial arts, and he did not initially want to use his skills for entertainment in films.
He is a great believer in the spiritual context of martial arts espoused by the monks of the Shaolin Temple, and the self-reflection and self-discipline that results from their practice.

“Acting is not why I practise martial arts. Even if my kung fu movies weren’t big hits, I’d still practise it,” he told the Post. “It’s my life.”
Liu was influenced by the classic Wong Fei-hung movies starring Kwan Tak-hing as a child. Kwan’s Wong promoted humility and had a strong sense of community and justice; Wong would always seek compromise and only fight as a last resort.
“Kung fu is not about killing. There is a philosophy, and a set of ethics behind it,” Liu told the Post.
6 He enjoyed working for Quentin Tarantino
Liu appeared in two films for Quentin Tarantino, Kill Bill and Kill Bill: Volume 2. In the first he played gang leader Johnny Mo; in the second Pai Mei, the villainous Shaolin traitor who defected to the rival Wudang sect.

“Tarantino said he wanted to make an action film with the 1970s fighting style used in old Hong Kong movies. He wanted the old school, practical kung fu – no flamboyant action,” he told the Post.
In this regular feature series on the best of Hong Kong cinema, we examine the legacy of classic films, re-evaluate the careers of its greatest stars, and revisit some of the lesser-known aspects of the beloved industry.
Want more articles like this? Follow SCMP Film on Facebook


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Asian cinema: Hong Kong film

Who is Gordon Liu? Hong Kong martial artist played a bald monk and had two Kill Bill roles

Gordon Liu and Uma Thurman in a still from Kill Bill: Volume 2. Photo: AP

Gordon Liu in a still from The Eight Diagram Pole Fighter. Liu has had an illustrious film career that has spanned decades. Photo: Shaw Brothers

Liu in a still from The 36th Chamber of Shaolin. Photo: Shaw Brothers Studio

Lau Kar-leung (left) and Liu in a still from Challenge of the Masters (1976).

Liu (left) and Lau Kar-leung (centre) pictured in 2003. Photo: SCMP

Liu in a still from The 36th Chamber of Shaolin.

Liu (left) and Hsiao Ho in a still from Legendary Weapons of China.

Liu and Uma Thurman in a still from Kill Bill: Volume 2. Photo: AP

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(From left) Director Tsui Hark, Andy Lau and Li Bingbing on the set of Detective Dee and the Mystery of the Phantom Flame.

Tsui Hark at an interview with the Post in 2010. Photo: SCMP

Carina Lau as Wu Zetian in a still from Detective Dee and the Mystery of the Phantom Flame.

Sammo Hung on the set of Detective Dee and the Mystery of the Phantom Flame.

Changing culture in Hong Kong around 1997 handover captured in Fruit Chan’s films The Longest Summer and Little Cheung

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A still from Little Cheung. Fruit Chan Gor’s Made in Hong Kong, The Longest Summer and Little Cheung present a complete picture of Hong Kong working-class life at the time of the territory’s handover from British to Chinese rule in 1997.

Tony Ho (left) as Ga-yin and Sam Lee (right) as Ga-suen in a still from The Longest Summer.

Jo Kuk as Jane in a still from The Longest Summer.

Fruit Chan, director of The Longest Summer and Little Cheung, pictured in 1999. Photo: SCMP

Yiu Yuet-ming (left) as Little Cheung and Mak Wai-fan as Ah Fan in a still from Little Cheung.

Maggie Q, Andy Lau and Sammo Hung help bring alive 2 war epics Hong Kong directors filmed in China

Andy Lau in a still from Hong Kong-China co-production Three Kingdoms: Resurrection of the Dragon. The 2008 war epic directed by Daniel Lee co-starred Maggie Q, with a cameo from Sammo Hung, and is a retelling of a story from the classic Chinese novel Romance of the Three Kingdoms.  

Sammo Hung (left) as Luo Ping-an and Andy Lau as General Zhao Zilong in a still from Three Kingdoms: Resurrection of the Dragon.

Daniel Lee at an interview with the Post in 2009. Photo: May Tse

Maggie Q in a still from Three Kingdoms: Resurrection of the Dragon.

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Gordon Chan, pictured in 2014. Photo: Edward Wong

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Kelly Chen Wai-lam (left) and Tony Leung Chiu-wai in a still from Infernal Affairs III. Photo: Media Asia Films

Andy Lau Tak-wah (front) and Leon Lai Ming in a still from Infernal Affairs III. This and Infernal Affairs II never lived up the original starring Lau and Tony Leung Chiu-wai, in part because the 2002 film didn’t leave much room for follow-ups. Photo: Media Asia Films

(From left) Andy Lau, Tony Leung Chiu-wai, Kelly Chen, Leon Lai Ming and Chapman To Man-chat publicise the launch of Infernal Affairs III in Beijing in 2003. Photo: SCMP

Alan Mak Siu-fai (left) and Andrew Lau Wai-keung on the set of Infernal Affairs III.

Francis Ng (front) in a still from Infernal Affairs II.

Kelly Chen and Tony Leung in a still from Infernal Affairs III. Photo: Media Asia Films

Andy Lau (front) in a still from Infernal Affairs III.

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Jimmy Wang Yu and Rebecca Gilling in a still from The Man from Hong Kong (1975).

Jimmy Wang Yu in a still from The Man from Hong Kong (1975). In the film, Wang thought he had found something that would propel him to Bruce Lee-level international fame. It did not. Photo: Hong Kong Film Archive

A promotional poster for The Man from Hong Kong.

Rebecca Gilling and Wang in a still from The Man from Hong Kong.

Wang (left) and George Lazenby in a still from The Man from Hong Kong.

A still from The Man from Hong Kong.

Wang and Gilling in a still from The Man from Hong Kong.

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Gordon Liu, who learned kung fu behind his parents’ backs as a child, has had an illustrious career – which took off once he shaved his head


Gordon Liu, who sneaked off to learn kung fu behind his parents’ backs as a child, has had a career that spanned decades. Notably, he appeared as two different characters in the Kill Bill films.


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Profile | Who is Gordon Liu? Hong Kong martial artist played a bald monk and had two Kill Bill roles

Gordon Liu, who learned kung fu behind his parents’ backs as a child, has had an illustrious career – which took off once he shaved his head

1 His parents did not want him to learn kung fu