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Review | Argylle movie review: Henry Cavill plays a Bond-like secret agent in espionage thriller from Kingsman director Matthew Vaughn

  • Bryce Dallas Howard’s writer character becomes a globe-trotting fugitive in thriller Argylle, which is full of often predictable double crosses and betrayals
  • While packed with action scenes and accompanied by a great soundtrack, Argylle feels glossy and overblown – and watching it simply a way to pass time

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Henry Cavill in a still from “Argylle” (category IIA), directed by Matthew Vaughn. Sam Rockwell, Dua Lipa, and Bryce Dallas Howard co-star.

2.5/5 stars

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Argylle is so meta that it hurts. The film throws thriller writer Elly Conway (Bryce Dallas Howard) into a real-life espionage conspiracy that is somehow based on her fictional characters. Her two worlds collide in a story that piles reversals on top of reversals.

Elly transforms from stay-at-home writer to globe-trotting fugitive under the guidance of a bearded, dishevelled Aidan (Sam Rockwell), the opposite of her fictional, Bond-like secret agent Argylle (Henry Cavill). Aidan wears jeans and T-shirts; Argylle favours tailored Nehru jackets. But both are expert at what counts: killing bad guys.
Argylle | Official Trailer

Jason Fuchs’ screenplay may be complex, but it is not especially original. Movies love confounding authors by bringing their characters to life, usually to teach lessons about appreciating the “real world”; an actual Argylle novel has been published, although the book has only tangential connections to the movie.

One interesting twist here is that Elly relates so much to Argylle that she turns to him for advice, even in the midst of shoot-outs and car chases. And the agent will often interrupt his scenes to complain to her about his dialogue.

Elly and Aidan go from Colorado in the United States to London, the south of France and a palace on the Arabian peninsula. At each stop, they gather clues and shoot their way out of traps, then move on to the next cliffhanger.

Dua Lipa and John Cena in a still from “Argylle”.
Dua Lipa and John Cena in a still from “Argylle”.

Detailing more of the plot means giving away its twists, which is really all Argylle has going for it. Despite careful engineering, the double crosses and betrayals are too often predictable – maybe because they are based on genre clichés.

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