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Review | Cannes 2023: The Breaking Ice movie review – Zhou Dongyu, Liu Haoran face their traumas in Singaporean director Anthony Chen’s first mainland Chinese production

  • Zhou Dongyu stars as Nana, a young tourist guide in the Chinese city of Yanji who runs into Haofeng (Liu Haoran), a depressed man who works in finance
  • The film is lifted by beautiful cinematography and Zhou’s performance, but the characters and story are lacking

Reading Time:2 minutes
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(From left) Qu Chuxiao, Zhou Dongyu and Liu Haoran in a still from “The Breaking Ice”, directed by Anthony Chen.

3/5 stars

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The northeastern Chinese borderlands of Yanbian have never been portrayed as so pristine as in The Breaking Ice, Hong Kong-based Singaporean filmmaker Anthony Chen’s first foray into mainland China.

Bolstered by flowing camerawork and a dynamic performance from Zhou Dongyu, the film is an enjoyable if somewhat lightweight drama about three young people trying to drink and frolic away their physical and psychological traumas.

Set largely in Yanji, a city well known for its proximity to North Korea, The Breaking Ice revolves around young tourist guide Nana (Zhou). During one of her rounds, she strikes up a conversation with Haofeng (Liu Haoran), a glum man seen repeatedly ignoring phone calls demanding him to receive psychiatric treatment.

After spending the night with Nana, Haofeng soon forms a gang of three with her and her happy-go-lucky suitor Xiao (Qu Chuxiao).

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Visiting various places that defy long-running representations of the rugged region – from Nana’s small but neatly appointed flat, to very modern eateries and nightspots – the characters’ painful backgrounds are slowly unveiled.

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