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Matt Glasby

In 2018 Hollywood actress and producer Jessica Chastain had a great idea. Why not make an all-female spy film in the tradition of James Bond or Mission: Impossible?
With a star-studded cast that included Penélope Cruz, Diane Kruger, Lupita Nyong’o and Fan Bingbing, and director Simon Kinberg (X-Men: Dark Phoenix) on board, the project sparked a bidding war at the Cannes Film Festival.
The main victors were Universal Pictures and Huayi Brothers, who would look after American and Chinese distribution respectively.
Based on a script by Theresa Rebeck and Simon Kinberg, The 355 is named after Agent 355, the code name of a female spy from the American Revolution (1765-1791). Fortunately, some of its other ideas are slightly newer.


The plot concerns a decryption device stolen by evil businessman Elijah Clarke (Jason Flemyng) which can access any digital system on earth.
CIA agents Mason “Mace” Brown (Chastain) and her partner/lover Nick Fowler (Sebastian Stan) head to Paris to retrieve it, but it’s stolen, Nick is killed, and Mace finds herself on the run.
She’s joined by German spy Marie Schmidt (Kruger), Colombian psychologist Graciela Rivera (Cruz) and English former agent Khadijah Adiyeme (Nyong’o). Together they track the device to Marrakech in Morocco, then Shanghai, where they encounter Chinese operative Lin Mi Sheng (Fan).
Was Guillermo del Toro’s Pacific Rim really a show of Hollywood power?
Coming from the studio behind the Jason Bourne franchise, and with three Oscar winners in its cast, The 355 should have been a big hit, but it failed miserably on most counts. How much of this was bad luck and how much bad judgment is debatable.
There’s certainly plenty of the latter. The action set pieces are underwhelming; the dialogue is, in places, embarrassing – “How do you know my name?” asks Marie. “We’re spies, a****le!” replies Mace – and the whole enterprise feels seriously dated.
The decryption device is a shonky-looking hard drive with a red light on the top; much fuss is made about an important phone having “biometric fingerprinting”, when Touch ID was new to market back in 2013; and Cruz is warned to “Trust no one!” – the tagline of early 1990s TV show The X-Files.

The film also betrays its feminist credentials. We’re repeatedly reminded that, as women with boyfriends, husbands and children, these agents are always fighting on two fronts. In Mace’s words, “James Bond never had to deal with real life.”
But it often feels like they are defined only in relation to men. While Mace is training in the dojo, Nick tells her, “You fight like you date.” Marie has serious daddy issues. Graciela misses her husband and sons. Khadijah has a needy boyfriend. We’re even introduced to Lin’s father for all of 90 seconds.
Who knows what Rebeck’s original script was like, but the finished film seems to share Elijah’s incredulity about being “beaten by a bunch of girls”.

Just as ruinously, it also drops the ball when it comes to China. Fan doesn’t appear for the first hour; a lot of the Shanghai scenes seem to have been shot elsewhere; and her character is a cliché: an impassive assassin who has a deadly way with ancient herbs.
At least she gets to kick a** in the climactic showdown, the strongest sequence by far.
To be fair to the filmmakers, The 355 was also assailed by an extraordinary amount of bad luck, with Screen Daily calling it the “wrong film at the wrong time”.

Having already been pushed back by Covid, the film was almost derailed by Fan’s tax scandal, failing to secure a Chinese release at all.
To add insult to injury, it bombed at the American box office, making just US$14 million on an estimated budget of US$75 million. A dire 22 per cent Rotten Tomatoes score sealed its fate.
James Bond may have never had to deal with real life, but he never had to deal with any of this either.
Want more articles like this? Follow SCMP Film on Facebook


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American cinema

How US-China co-production The 355, starring Penélope Cruz, Jessica Chastain and Fan Bingbing, failed on all fronts

Jessica Chastain as Mason “Mace” Brown in a still from “The 355”, co-written and directed by Simon Kinberg.

(From left) Diane Kruger as Marie, Jessica Chastain as Mason “Mace” Brown and Lupita Nyong’o as Khadijah in a still from “The 355”, co-written and directed by Simon Kinberg. The US-China co-production, which also featured Fan Bingbing, was a box office flop.

Co-writer/director Simon Kinberg (left) and Jessica Chastain on the set of The 355.

Fan Bingbing as Lin Mi Sheng in a still from The 355, co-written and directed by Simon Kinberg.

(From left) Penélope Cruz, Jessica Chastain, Lupita Nyong’o and Diane Kruger in a still from The 355.

Tony Leung Chiu-wai on that gay sex scene with Leslie Cheung, Wong Kar-wai’s advice on acting, and how Stephen Chow got him into the entertainment business

Tony Leung at an interview with the Post in 2009. Photo: SCMP.

Tony Leung in an interview with the Post in 2009 in which he talked about filming “Red Cliff” with John Woo. At various times he has talked about how Stephen Chow and Wong Kar-wai influenced his career, and how Wong got him to shoot the gay sex scene in “Happy Together”, and more. Photo: SCMP

Tony Leung (left) and Stephen Chow in the old days.

Tony Leung in a still from “A City of Sadness”.

Tony Leung (second from right) in a still from “Days of Being Wild”.

Tony Leung (second from right) as Wei Xiaobao in a still from the TVB series “The Duke of Mount Deer”.

Leslie Cheung and Tony Leung in a still from “Happy Together”.

(From left) Tony Leung, Wong Kar-wai, and Zhang Ziyi at the premiere of Wong’s “The Grandmaster” at iSquare in Tsim Sha Tsui, in 2013. Photo: SCMP.

Carina Lau and Tony Leung, pictured in 1996. They have been in a relationship since the late 1980s and wed in 2008. Photo: SCMP

Tony Leung poses with his best actor and special contribution awards for ‘Where the Wind Blows’ at the 16th Asian Film Awards held in Hong Kong on March 12. Photo: Dickson Lee

Why Brad Pitt was banned from China after 1997 movie Seven Years in Tibet

Brad Pitt as mountaineer Heinrich Harrer in a still from Seven Years in Tibet (1997), directed by Jean-Jacque Annaud. Photo: Columbia/Tristar Photo.

Brad Pitt in a still from Seven Years in Tibet (1997), directed by Jean-Jacques Annaud.

Seven Years in Tibet director Jean-Jacques Annaud (left) and star Brad Pitt (centre), and members of the Tibetan Association of Southern California, at the film’s premiere in Los Angeles on October 6, 1997. Photo: Reuters

Brad Pitt (right) as Heinrich Harrer receives a blessing from Jamyang Jamtsho Wangchuk as the Dalai Lama in a still from Seven Years in Tibet. Photo: Columbia/Tristar Photo

Brad Pitt (left) as Heinrich Harrer and David Thewlis as fellow Austrian mountaineer Peter Aufschnaiter in a still from Seven Years in Tibet. Photo: Columbia/Tristar Photo

Brad Pitt poses for a selfie with Chinese fans as he arrives at a premiere of the film Allied in Shanghai, China on November 14, 2016. Photo: AP

Why Milla Jovovich movie Ultraviolet, a US film shot in China, went so horribly wrong

Milla Jovovich in a still from the 2006 movie Ultraviolet, a US-China co-production that rips off sci-fi standards such as Total Recall, The Matrix and Minority Report.

Milla Jovovich (left) and Cameron Bright in a still from Ultraviolet.

Milla Jovovich in a still from Ultraviolet.

(From left) Ultraviolet director Kurt Wimmer, Charles Wang of producer Salon Films, and John Tsang, then Hong Kong secretary of commerce, industry and technology, in 2004. Photo: SCMP

Why this dragon didn’t roar: starring Sam Neill, first Chinese-Australian film co-production The Dragon Pearl was a flop

Sam Neill in a still from The Dragon Pearl.

A still from The Dragon Pearl (2011). In order to appease China and get approval for the film, the character of the dragon was changed and the script rewritten weeks before filming began. 

Li Linjin as Ling (left) and Jordan Chan as Wu Dong in a still from The Dragon Pearl.

Sam Neill as Chris Chase (left) and Robert Mammone as Philip Dukas in a still from The Dragon Pearl.

Louis Corbett and Li Linjin in a still from The Dragon Pearl.

Is Dwayne Johnson action movie Skyscraper a blueprint for US-China co-production despite being a box-office flop in America?

Dwayne Johnson attends a Skyscraper press conference in Hong Kong. Photo: Sam Tsang

Dwayne Johnson (left) and Chin Han in a still from Skyscraper, a film which courted the Chinese market it wanted to break into with respect. 

Neve Campbell (left) and Dwayne Johnson in a still from Skyscraper.

Johnson with Chin Han (left) and Campbell (right) at the Skyscraper press conference in West Kowloon, Hong Kong. Photo: Sam Tsang

Dwayne Johnson in a still from Skyscraper.

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With some of Hollywood’s hottest female names, as well as Chinese star Fan Bingbing, this spy film should have been a box-office smash
However, with lacklustre set pieces, lame dialogue and cliched characters, The 355 failed to tick any boxes


Penelope Cruz, Jessica Chastain and Fan Bingbing lead a powerful female cast in this spy thriller that sadly never lived up to its potential thanks to its lame dialogue, lacklustre set pieces and cliched characters.


How US-China co-production The 355, starring Penélope Cruz, Jessica Chastain and Fan Bingbing, failed on all fronts

With some of Hollywood’s hottest female names, as well as Chinese star Fan Bingbing, this spy film should have been a box-office smash However, with lacklustre set pieces, lame dialogue and cliched characters, The 355 failed to tick any boxes

With some of Hollywood’s hottest female names, as well as Chinese star Fan Bingbing, this spy film should have been a box-office smash

However, with lacklustre set pieces, lame dialogue and cliched characters, The 355 failed to tick any boxes