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Review | Gaga movie review: Taiwanese family drama by Golden Horse best director winner offers a fascinating glimpse into the indigenous Atayal culture

  • Gaga follows an indigenous Taiwanese family over a year as they navigate hardships, family struggles and the disappearance of their traditional way of life
  • The movie uses mostly non-professional actors to portray characters not wholly dissimilar from themselves in real life

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Wilang Lalin (centre) and Lin Ting-li (left) in a still from Gaga (category IIA, Mandarin, Tayal, English), directed by Laha Medow. Kagaw Piling co-stars.

3/5 stars

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Set within an indigenous Atayal household in a remote part of Taiwan, Gaga follows the struggles of three generations of the same family over the course of a single year, as they navigate daily hardships, family struggles and the creeping disappearance of their traditional way of life.

Writer-director Laha Mebow was named best director at this year’s Golden Horse Awards for the film, which also won best supporting actress for Kagaw Piling.

The family’s ageing patriarch (Wilang Noming) has always gone out of his way to instil in his children and grandchildren a respect for and understanding of “Gaga”, the Atayal people’s defining code of ethics, in which family is paramount and exists in harmony with the natural world.

《哈勇家》GAGA 香港版預告 2月23日上映

However, when he dies in his sleep, the entire household is thrown into turmoil as the modern world and urbanised society threaten to eradicate Gaga from their lives.

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Eldest son Pasang (Wilang Lalin) is outraged that some of their farmland has been sold to other, non-Atayal families in the area. Now that his father is not around to stop him, he chooses to run for local mayor as a way to have their ownership of the land reinstated.

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