Book review: Chrissie Hynde of The Pretenders doesn't pull her punches in Reckless
The rock'n'roll star waited until her parents were dead before publishing her autobiography, which doesn't shy away from provocative opinions or controversial subjects
There's provocative directness, and then there's Chrissie Hynde: "You can't f*** around with people, especially people who wear 'I Heart Rape' and 'On Your Knees' badges … I considered their demand while sustaining a volley of lit matches, which bounced off my rib rack."
Here begins the pre-Christmas rock memoir surge, in "a dark and noticeably empty house" in Cleveland, Ohio, where the future Pretenders singer and songwriter marks her spot as one of punk and new wave's most atypical voices. These remarks about an assault on her by a biker gang when she was 21 have recently melted the internet. Hynde's feminism is intolerant of the concept of victimhood. "The good thing about Quaaludes: I wasn't duly perturbed," she says. "I was getting experience."
This uncompromising whatever-ness fits with the figure staring out from the cover of : a rocker sitting in a bath, denims and gold chelsea boots hanging over the side, fringe, eyeliner and vest as black as night. But from the very beginning of her autobiography, Hynde is a much more complicated character.
Even before we approach Hynde's stellar career with The Pretenders, there are enough eyebrow-raising anecdotes here to give a publisher multiple orgasms. To wit: Hynde's first kiss was with soul singer Jackie Wilson (slobbered on to her from the stage). She once drove David Bowie as Ziggy Stardust to lunch (when she was merely a passing fan). There's a brilliant page about her disastrous relationship with Ray Davies and a full account of her first meeting with Motörhead's Lemmy. Seeing her for the first time in a shop, without speaking, he stuck a tube of powder up her nose. "I was up for three days," Hynde drawls.