Down the rabbit hole: 150 years of Alice's Adventures in Wonderland
As the world celebrates 150 years of Alice's Adventures in Wonderland, Gary Jones looks back on the book's impact on art and popular culture
Since its original publication in 1865, 150 years ago this year, has proven an enduring classic of children's literature. The ground-breaking fantasy has never been out of print since that day, has been translated into more than 170 languages, and influenced artists and pop-cultural luminaries as disparate as surrealist painter Salvador Dali, filmmaker Tim Burton, fashion designer Vivienne Westwood and Beatle John Lennon.
Telling the tale of a bored but precocious young girl who falls through a rabbit hole into an hallucinatory world of grinning felines, manic milliners and self-important playing cards, Lewis Carroll's mind-bending, logic-twisting tale has charmed adults as well as with children for generations, inviting imaginations to run wild and readers to view our "curiouser and curiouser" world through the looking glass.
" was a watershed in the history of children's literature, not just because it was one of the first non-didactic, non-moralising books for young readers, but because it featured an inquiring, independently minded, self-possessed heroine who seems as 'modern' today as she did in 1865," says Brian Sibley, president of Britain's Lewis Carroll Society, a network of enthusiasts, experts, writers, researchers that was formed in 1969 to encourage research into the life and works of the author.
"Being an account of a dream," the 65-year-old writer and broadcaster continues, "the book is full of weird characters and bizarre events but, however unlikely and unexpected, they always seem - both to Alice and to us, as readers - to be perfectly believable. As a result, the Hatter and the March Hare, the Caterpillar and the Cheshire Cat are as 'real' as anyone we might encounter in our everyday life, and a lot more entertaining than most."
Lewis Carroll was the pseudonym of University of Oxford mathematician Charles Lutwidge Dodgson, and - according to the legend of what is referred to by Alice fanatics as "the Golden Afternoon" - on July 4, 1862, he and the Reverend Robinson Duckworth (represented by the Duck in , and who later officiated at the 1882 funeral of Charles Darwin) took a boating trip on Oxford's Isis river with the three young daughters of Henry Liddell, the vice-chancellor of Oxford University.