Bats everywhere, but not the scary kind - Asia Society art show reviewed

In Western horror stories, bats are often associated with vampires as frightening, blood-sucking creatures of the night.

But there is little frightening in this exquisite and compact exhibition, as the bat in Chinese iconography is considered an auspicious animal. The Chinese for "bat" has a similar pronunciation as "good fortune", and images of the bat traditionally appear on a range of objects alongside other auspicious symbols to bestow propitious messages and greetings.

Co-organised by the Asia Society and Chinese University of Hong Kong Art Museum and curated by the museum's Xu Xiaodong, the exhibits, including ceramics, jade carvings, paintings and textiles with bat designs are predominantly sourced from Hong Kong museums, including the Hong Kong Museum of Art, and collectors.

A highlight is the reuniting from separate collections of a pair of beautiful famille-rose peach and bat decorated ceramic dishes, displayed together for the first time in 30 years. Dating from the Yongzheng period (1723-1735), the combined motifs of bat and peach represent good fortune and longevity. In a wonder of small-scale composition, ripe peaches skirt the dishes' circumference while three red bats hover in the empty space of an imagined sky.

The one contemporary intervention in the exhibition is Chinese artist Sun Xun's impression of a bat cave by projecting a short looped video of groups of bats in flight onto the gallery's historic vaulted ceiling.