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Hong Kong show for Japanese artists who play with the familiar

Winter Garden exhibition explores 'the micro-pop imagination in contemporary Japanese art'.

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A still from performance art group Chim Pom's "Feelin’ like the guys make me hot 01", in which they set various objects on fire.

Last week, there was great publicity in Hong Kong for the Japanese performance group Chim Pom attending the launch of a former textile manufacturer’s new museum space in Kwai Chung. They also appear in new group exhibition "Winter Garden" at the Hong Kong Arts Centre with a video that literally plays with fire.

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That video,  Feelin’ like the guys make me hot 01, captures the six-member  collective jumping around like children in rapidly changing scenes depicting objects being set on fire, including a bicycle and a fence, forming words and messages.  

Fire can be  mesmerising, until tragedy hits. But even the recent devastating Tianjin chemical explosion, or the trauma of a forest fire, relate to  Chim Pom’s “modest” antics, as curator Midori Matsui reflects that the “power and warmth of fire reinstates the human connection to one of the primal forces of nature, through a modest breach of decorum in everyday life”.

The subtext for  “Winter Garden” explores “the micro-pop imagination in contemporary Japanese art”. The exhibition’s  13 participating artists and one art group generally use, or depict, and then reconfigure familiar daily objects in their art.

A still from "Turning the Lights On".
A still from "Turning the Lights On".
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It is a surprisingly relevant  show, as many young Hong Kong artists have a similar approach to material in their own work. Particularly strong are the mildly humorous videos, all  in an easy-to-watch length.

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