Advertisement

Zhou Yilun’s Summer Huts art show in Shenzhen is a playful nod to Brazil’s art. Isn’t it?

  • What do artist Zhou Yilun and Hong Kong actor Stephen Chow have in common? They both dabble in the absurd – as evidenced by Zhou’s solo show

Reading Time:3 minutes
Why you can trust SCMP
After (2024) by Zhou Yilun. The work is part of “Summer Huts”, the Chinese artist’s solo exhibition at Sea World Culture and Arts Centre in Shenzhen. Photo: Cheung Hok-hang

At the opening of his solo exhibition in Shenzhen, artist Zhou Yilun regaled visitors with a story about an epic journey through Brazil.

Advertisement
The Hangzhou-based artist described a chance visit to the South American country which introduced him to – of all things – medieval church art, and talked about how he stayed for months during the coronavirus pandemic. There, he made art from scavenged material, finding inspiration from the makeshift shelters that he saw.
You might think this would explain why visitors to his exhibition “Summer Huts” at the Sea World Culture and Arts Centre (SWCAC) in the southern Chinese city see in it echoes of the messy, vibrant art of the late Brazilian artist Hélio Oiticica, save for one important fact: he made up the entire story.

Zhou has never set foot in Latin America. He simply decided to be creative with his answer after the show’s organiser told him to explain his art to his audience.

It Did Not Exist (2024) by Zhou Yilun. Photo: Cheung Hok-hang
It Did Not Exist (2024) by Zhou Yilun. Photo: Cheung Hok-hang

His made-up story can be seen as a nod to the tendency to expect a simple answer for why artists create what they do, when in reality few things are straightforward – and certainly not his chaotic exhibition.

Advertisement
Advertisement