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Tetsumi Kudo’s caged phallus sculptures at Hauser + Wirth Hong Kong draw pity from women

  • There were contrasting responses from men and women at the opening of a solo exhibition of the late Japanese artist’s works in Hong Kong

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Tetsumi Kudo’s 1974 artwork Votre Portrait features representations of human progress and human organs with the rotting face of playwright Eugène Ionesco. Photo: Hiroko Kudo, the Estate of Tetsumi Kudo/Artists Rights Society, New York/ADAGP Paris 2024, courtesy Hiroko Kudo, the Estate of Tetsumi Kudo and Hauser & Wirth

In many of Tetsumi Kudo’s “cage” sculptures on show at Hauser & Wirth, in Hong Kong’s Central district, groups of zoomorphic penises are kept like pets inside birdcages and fish tanks.

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Those resembling larvae are fed on pills placed in the feeders and exhibit various stages of wellness and metamorphoses: some are preening in radioactive phosphorescence; some are pale and covered in grotesque pustules; others are encased in silk-covered cocoons from which they will emerge as new hybrids.

In other cages and tanks, phallus-shaped snails and sea creatures live among real snails and real fish (or rather, models of them), perhaps yearning for full transformation like The Little Mermaid.

Not surprisingly, they stirred a great deal of interest during the solo exhibition’s opening reception on May 31.

In Tetsumi Kudo’s 1966 work For Your Living Room – For Nostalgic Purpose, on show at Hauser + Wirth, zoomorphic penises have feeders full of pills. Photo: Hiroko Kudo, the Estate of Tetsumi Kudo/Artists Rights Society (ARS), New York/ADAGP Paris 2024
In Tetsumi Kudo’s 1966 work For Your Living Room – For Nostalgic Purpose, on show at Hauser + Wirth, zoomorphic penises have feeders full of pills. Photo: Hiroko Kudo, the Estate of Tetsumi Kudo/Artists Rights Society (ARS), New York/ADAGP Paris 2024

The women peered at these trapped creatures with disdain and pity, with one suggesting they reminded her of a lot of men she knew, and another saying they must be Kudo’s critique of toxic masculinity. The men just looked sheepish and slightly pained.

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