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Hong Kong Bruce Nauman retrospective traces the American multimedia artist’s work over 6 decades – and it’s no easy show

  • Tai Kwun Contemporary’s Bruce Nauman retrospective features 35 pieces from the provocative American artist, including word and neon art, sculptures and videos
  • The works, which inspire reflection on everything from on animal cruelty to youth, are sometimes unsettling, but the curator says ‘now is the time’ to show them

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Bruce Nauman video art on display at the American multimedia artist’s retrospective at Hong Kong’s Tai Kwun Contemporary. This work is Contrapposto Studies, I through VII (2015/2016), jointly owned by Pinault Collection and the Philadelphia Museum of Art. Photo: Jimmy Ho/courtesy of Tai Kwun

The latest exhibition at Hong Kong’s Tai Kwun Contemporary is an ambitious retrospective of six decades of works by American multimedia artist Bruce Nauman.

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Nauman has been challenging the art world with diverse conceptual works since he started out, and this exhibition shows that his early art has not lost its power to unsettle and provoke viewers.

Often referred to as an “artists’ artist”, Nauman does not strive to produce art that is easy to look at.

One of his most cited quotes underlines this: “Sunsets, flowers, landscapes – these kind of things don’t move me to do anything. I just want to leave them alone. My work comes out of being frustrated about the human condition, and how people refuse to understand each other, and how people can be cruel to each other.”

The first piece visitors to the Bruce Nauman retrospective at Tai Kwun Contemporary see is The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) (1967), on loan from the Philadelphia Museum of Art. Photo: Jimmy Ho/courtesy of Tai Kwun
The first piece visitors to the Bruce Nauman retrospective at Tai Kwun Contemporary see is The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) (1967), on loan from the Philadelphia Museum of Art. Photo: Jimmy Ho/courtesy of Tai Kwun
Nauman, who was born in the United States in 1941, is still producing groundbreaking video art and sculpture that show a strong use of the body (whether his own, other people’s or those of animals), and work under one of his main themes: words as art.
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