Review | In Schubert recital series in Hong Kong, pianist Paul Lewis brings out the complex layering of composer’s musical ideas
- In the concluding concerts of his four-recital series featuring the piano sonatas of Schubert, Paul Lewis knew which musical voices to bring to the fore
- His playing tasteful and by turns twinkling, lyrical, rousing and haunting, he brought out the character of six contrasting sonatas, including the final four
Just as top chefs layer flavours to make their dishes shine, pianists who take on Franz Schubert’s sonatas need to bring out the complex layering of his musical ideas.
Paul Lewis knows exactly how to do that and which voices to bring to the fore.
Performing at the University of Hong Kong on January 27 and 28, the former student of Alfred Brendel wrapped up the four-part “Schubert’s 12 Piano Sonatas with Paul Lewis” concert series with memorable renditions of six sonatas, including the emotionally charged final trilogy.
The Liverpool-born pianist began Saturday’s concert, the third of four, with Schubert’s early Piano Sonata No. 4 in A minor, answering a vigorous opening statement with cascading arpeggios.
His deft left-hand articulation lent the Allegretto rondo elements quirky charm, and the opening of the Allegro vivace finale brilliantly combined drama and fine lyricism, which sparkled in the dexterous interplay of voices.
