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Hong Kong art space Para Site changes direction to become ‘like a living organism’, with longer, focused exhibitions that evolve

  • Non-profit art space’s new curator will explore longer, more focused exhibitions that allow ideas to develop. The gallery’s new show is a prime example of this
  • Inspired by radical 1960s art space Signal London, ‘signals … storms and patterns’ shows powered artworks that are constantly changing

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Vietnamese artist Truong Cong Tung’s installation “The state of absence—voices from outside” (left) on show at Hong Kong non-profit art space Para Site. Photo: Para Site/Truong Cong Tung

Until recently, most exhibitions at the non-profit art space Para Site in Hong Kong were like mini biennales – packed to the gills with work by multiple artists.

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“We really pushed the limits of the size of our space and what we could hold,” says Billy Tang, the gallery’s recently appointed executive director and curator.

“There was a kind of busyness to the volume and frequency of what we did. Now it’s interesting to think about how to shift the rhythm.”

Instead of a maximalist approach, Tang wants to explore longer, more focused exhibitions, allowing time for ideas to percolate.

Billy Tang, Para Site’s recently appointed executive director and curator, is ushering a new era at the art gallery. Photo: Para Site
Billy Tang, Para Site’s recently appointed executive director and curator, is ushering a new era at the art gallery. Photo: Para Site

The current exhibition “signals … storms and patterns”, which he co-curated with Celia Ho, is a prime example.

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The show, which is part of a larger project that will unfold in three chapters over more than six months, acts as a manifesto for Para Site’s new direction.

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