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HBO's Boardwalk Empire among the worst TV offenders for diversity

Women and minority directors under-represented in the ranks of those who direct American television series; four HBO shows have only white male directors

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HBO's Boardwalk Empire is one of 27 US television shows with no women or minority directors.

A new study looking at the TV hiring underbelly in Hollywood has some not-so-shocking results: women and minority television directors are at a disadvantage in getting their foot in the door.

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That's according to a six-year analysis by the Directors Guild of America released last week that examined the demographics of first-time TV director hires. The six-year period began with the 2009-10 season and ended with the 2014-15 season, and found that 611 directors who had never worked in television were hired.

The study, which comes at a time when diversity is a hot issue in Hollywood, revealed that 82 per cent (or 501) of all first-time directors during that span were men, and 18 per cent (110) were women; meanwhile, 86 per cent (528) were white and 14 per cent (83) were minority directors.

"You can't increase diversity in the long term without focusing on entry into the business - we challenge the networks, studios and executive producers who make all the hiring decisions in episodic television to set diversity hiring goals," DGA president Paris Barclay says.

With a cast and crew of all white males, HBO's The Brink is among the worst offenders in a study on diversity in American television.
With a cast and crew of all white males, HBO's The Brink is among the worst offenders in a study on diversity in American television.
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The prominent TV director and executive producer of adds that the retention rate of women and minority TV directors should be motivation enough to spur the hiring of more of them. Data showed that 51 per cent of women first-time TV show directors and 42 per cent form minorities continued directing on the series - outpacing their male and white counterparts, whose continuation rates were 44 and 36 per cent, respectively.

When breaking down the backgrounds of these first-time directors, writers and producers made up 26 per cent of the pool; actors 20 per cent; cinematographers and camera operators 8 per cent; editors 5 per cent and other crew 6 per cent.

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