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Off Centre | The good, the bad, the wacky of China: in praise of the Post's ‘Around the Nation’ news

It’s easy to knock ‘tabloid’ journalism, but our round-up of stories from mainland China offers a compelling window on life there

Reading Time:3 minutes
Why you can trust SCMP
Chinese villager Zheng Hongkang, a keen amateur painter, adds a dash of colour to his life-sized clay model of President Xi Jinping - one of many items that appeared in SCMP's Around the Nation. Photo: Dfic.cn

A woman destroys an ATM machine in a fit of rage. Another wins a hair-growing competition. A man, drunk, drowns in a manure pit. I know I am far from alone in finding the South China Morning Post’s Around the Nation page one of its most compelling sections. Countless conversations with editorial staff and SCMP loyalists assure me of this.

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Often, however, there is a tone of slight hesitation in their admissions – a wavering, I think, lest too pronounced an enthusiasm be taken to intimate a lack of seriousness about news.

Anyone familiar with this blog will acknowledge that if it does not always provide the final word in serious-minded comment, then it will at least include one or two from somewhere nearing that end of things. More generally, the SCMP is considered a serious organ – the sub-editors may quibble at the word, but its news and analysis tends more towards the intellectual than what used to be called “human interest”, even when it was about pets. With ATN, this order is subverted. Reader, a word here in its praise.

For those of you who don’t know what I’m referring to, buy the paper and you’ll see it: Around the Nation is a round-up of stories that have been making the headlines in sundry corners of the mainland. Some are routine – a new infrastructure project here, a government denial about something over there.

Others are anecdotal but still marginally un-extraordinary: a man cracks a window during a quarrel on a bus with his girlfriend; a woman has to receive medical help after playing mahjong for three days solid. The most memorable can usually be filed under bizarre, gruesome, heartwarming, comical or downright appalling, although none of these categories is exclusive.

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You would probably be right to identify this as tabloid journalism. A fine tradition, and one in which I’ve dabbled, and frequently defend, but make no mistake – it’s often voyeuristic, mawkish and vulgar. The snobs have a point. Doubtless, too, it serves as an instrument of distraction, particularly in a country such as China where “proper” journalism gets throttled. And this is all before one considers how things have evolved online, where it seems the only way for media organisations to thrive is to deploy armies of clickbait wallahs to churn out titillating content, and to hell with its veracity.

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